Arve Karlsen
Testimonial

I received the mouthpiece today and have been playing it for an hour, and what an amazing piece! Rich in all registers, dark, beautiful sound, yet it still has lots of power. And I have never had a piece with … Read More

Felix Otto
Testimonial

The mouthpiece is great, the overblowing tendencies are much much less, the tone sounds rich, it is shocking how pianissimo the horn can be played without strangling the timbre! And now it is again me being the limiting factor, not … Read More

Sam Brunson
Testimonial

The mouthpiece arrived today. Thank you so much! It has a great sound and is absolutely fun to play. I’m not perfect on it by any means, but it is definitely an improvement over how it was before and I … Read More

Bill Scavotto
Testimonial

This Morgan Alto piece that you did for me really plays beautifully. Its like having a new horn.

Jesse Ostrow
Testimonial

Spent some time on the soprano this morning checking out the new mp.  Can’t thank you enough. You’ve given me just what I want with lots of room to grow.  The sound is fat, sweet and expressive. The intonation is spot-on through … Read More

Bruce Ackley, ROVA QUARTET
Testimonial

After playing my current Yanagisawa mouthpiece for 20 years, I finally took the risk of having Joe rework it. He balanced it, and it opened up in amazing ways. It’s much more responsive throughout the horn, yet the results are … Read More

Daniel Charron
Testimonial

Just a note to tell you that I received the tenor pieces at the end of day yesterday. I had a chance to play them for a couple of hours this morning. You did a truly excellent job with both! … Read More

Sam Rector
Testimonial

Hyperbole aside, what type of voodoo did you use on my mouthpiece ? Sound is more consistent, controllable and MUCH cleaner. Wow. Just wow. Thank you.

Barry Nierenberg
Testimonial

(Barry bought a Missing Link second-hand. I rebalanced it for his curvy soprano) Got the piece today and wow. I’ve been playing my soprano for over 20 years now and it has never sounded as sweet and engaging and flexible … Read More

Petri Kivimaki
Testimonial

I have played the Metropolitain two days now.  I actually went to your website and read the description of Metropolitain again because how you describe this mouthpiece is the most accurate description I have read. It´s spot on! I have … Read More

Will Cicola
Testimonial

Just got the mouthpiece and took some time out of the lunch hour to blow a few notes, and all I can say is…WOW! Using just a random blue-box 3 that I grabbed (and that had been broken in on … Read More

Brian Taylor
Testimonial

I got it, it plays great! ( his Vandoren V16) I’m surprised at how much better the intonation is, I always thought sopranos were intrinsically hard to tune.  Thanks for the fine work!

INTRODUCTION TO SOPRANO SAXOPHONE Part 2
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(Note: It is always imperative that you know that your horn is in good adjustment and, most importantly, that your soprano mouthpiece is correctly set up. Failure and trouble are inevitable if either is amiss) Part  2 / BLOWING AND … Read More

INTRODUCTION TO SOPRANO SAXOPHONE PART 1
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  Part 1: Setting the Record Straight about Soprano Saxophone The soprano saxophone has developed quite a reputation in its short lifetime, and not all of it is good. It’s time to set the record straight about the supposed “Devil’s … Read More

Michael Foster
Testimonial

Got the piece, it’s totally perfect for me, thank you so much again. Spot on intonation for my squiggly True Tone and as much projection as I could want. Very excited about this, thanks so much again.This piece is really … Read More

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